12/31/12 New York City, NY
The Garden Party!!!!
Ok, to start, NYE shows usually are not that amazing musically, and
just eyeballing the setlist and times, this one looks like it will be
along those lines. But NYE is always more about the FUN than the music,
kinda, so it's the one night you let it slide.
Set 1 -
Garden Party - Considering the Golf/Miami Retirement Home/Lawn
and gardening theme, you couldn't pick a much better themed opener,
haha. Baker's Dozen worthy on that front! The 1972 Ricky Nelson tune as sung by Mike. Good stuff.
Possum - The real opener. Nothing you haven't heard 100 times before, but good lord is it HOT!!!! Hot hot hot hot hot!!!!! Very good but nothing that special.
Roses are Free - Not my favorite song but nice as always. Possibly intentional (roses>garden, etc). Fine version though!
Rift - See Possum! Great version and pretty darn hot! Absolutely BONKERS Page solo!
Sample In a Jar - Great Type I rager. See Possum. Nothing special.
Alaska - See Sample and Possum
Mike's Song - Finally something noteworthy!!! You know it's ON
when the first jam starts around 2 minutes with Page and Mike just
pounding the hell out of their instruments and the crowd starts roaring
their approval. Trey doing nice melodic leads for a bit until Page
starts multitasking piano and organ to solo along!! Great stuff! And we
are only at the 4 minute mark!! This jam is totally led by Page and Trey
- the two of them are basically playing in sync the whole time,
soloing off of/with each other and it's AWESOME!!!!!! FREAKING FANTASTIC
LITTLE MIKE'S SONG!!!! HOLY CRAP THAT WAS SICK!!!!
>Walk Away - Trey slightly forces the guys into Walk Away.
Great call, just that the transition was a little less than smooth,
haha. Terrific choice to keep us rocking and welcome as always!!! And this one SMOKES!
>Weekapaug Groove - Mike get's it ripping with some killer
bass soloing for a bit, and then Page jumps on the Clav for some sick
70s funk-style riffing. Trey doing octave-chord vamping, again with Page
following along. The crowd goes nuts when Mike kicks in his Planet Killer Distortion
effect and starts tearing it up even more. For the next few minutes
they all just lock in and deliver a terrific, A+ Paug. Great stuff!
Character Zero - See Alaska, Sample, Possum, etc....Killer version, just
total guitar annihilation. Again, nothing you haven't heard before, but
still great stuff!!
All in all, set 1 was enjoyable but bland (the theme of many
recent 2012 first sets, it seems). Skip right to Mike's Song and let 'er
rip from there on out.
Set 2
Birds of a Feather - Type I rager ala set 1. Another in the pantheon of "nothing you haven't heard before", but it's still just so dang good at the same time! Short, sweet, to the point and gets us going immediately. Terrific.
Ghost - Takes it's sweet time getting going in the best way.
Straddles that Type 1.5 line for a lot of the jam. You can clearly tell
we are still in Ghost but they are pushing those boundaries. The usual
funky, shreddy goodness ensues! I'd say we go proper Type II right
around the 7 minute mark. Page introduces some uplifting piano and this
spooky Ghost starts becoming a beacon of positivity and light instead!!!
Everyone is in sync, playing together. Trey isn't doing too much -
tastefully picking spots to toss in a lead or two. Fishman is tossing in
tom-tom fills getting us a bit more rhythmic, and Page is just sticking
to the piano. They decide to stick to this and just ride the "Type I
Bliss Jam" out to it's natural conclusion around 12 minutes. I'm
gonna call this the Mini Ghost. They didn't "do that much", but what
they did do they did REALLY nicely!!!! A really excellent little
fast-food slice of Ghost, ya dig?
>Piper - And as per 2012's unwritten rules, we can't leave one
song with first drifting into ambience, lol. However, out of a Ghost to
lead us into a Piper is EXACTLY where you want that ambience to
pop up!!!! Nothing like a proper slow-build Piper. Unfortunately there
is not too much build up, haha. Trey is Mr. Eager McBeaver over here
tonight and just immediately starts the lick with no pretense of
subtlety. That's ok, though. And the crowd goes BONKERS once the guys commit and actually begin the "song" (Piper is barely a song and you know it!). As for the jam, it's pretty enjoyable!!! The guys take it real nice and easy on this one, giving us a chill-yet-hot jam that is all kinds of SMOOTH.
Think Birds of a Feather, but nicer!!!! This goes on for several
awesome minutes until around 6:00 they all start increasing the heat
more and more, until we are headed for a raging, fiery explosion!!! But
instead they keep it dynamic and measured - THIS IS COOL AS HELL!!!
They are increasing the "strength" of the playing while keeping things
"chill". It's very hard to explain!!!! I've never heard another jam
quite like this. Props to Trey's perfectly timed feedback squeal at 7:12 that leads them into another section of the jam!!!! Jesus, this jam is fantastic. THIS IS A PERFECT EXAMPLE OF FULL-BAND PLAYING!!!! NO SOLOING HERE!!!! Seriously, this is terrific. I
feel like the guys have learned to cram as much into 10 minutes as some
other years of the band would take 20 to do. I'm all about the journey,
but there is something to be said for cutting to the point at
times!!!!!! RAGER HOSE PEAK FINALE!!!! KILLER!!! A+ PIPER! THIS PIPER HAS NO BUSINESS BEING THIS FREAKING AWESOME!!!!!!!
>Light - Great Type I "bliss" jamming as expected. I swear Trey inserts a Simpsons tease at one point. Around
5 minutes or so is when the jam starts to veer sideways. Page in
particular is leading us out of bounds bit by bit, doing interesting
"out of key" modulations (or something like that). But then
somehow at 5:45 we stumble into a full blown Auld Lang Syne led by Trey
for like 10 seconds. And the crowd erupts. And it's awesome! By
6:30 things are teetering on that fine line, the guys unsure whether to
leap off or keep riding that Light jam. They decide to stick with Light
for a bit, Trey reintroducing the riff at 6:50. But then they
immediately go for the Type II funkiness at last with only a little bit
of time left in the jam. I don't want to call this jam bad - what
they are playing is highly enjoyable. But they are so unsure of what
direction to head in and it's kinda jarring. One second it's this, five
seconds later it's that, etc. And the usual 2012 ambient outro is the
icing on the cake. I'm gonna call this an enjoyable-yet-highly-flawed
experiment.
>2001 - Terrific segue!!! Thank you Fishman for not dropping the ball on that!!! This
version is a million times better than other recent "perfunctory"
versions of 2001!!! The guys ACTUALLY jam it properly!!!! It's nowhere
near long enough, but what's here is prime rib 2001!!!!
>The Horse/Silent in the Morning - Next!
You Enjoy Myself - Not
much to say, in the best way. A terrific YEM that delivers exactly what
you want out of it. Nothing more, nothing less! Hell, I even enjoyed
the vocal jam tonight!!!
All
in all, set 2 was damn strong on the whole. The Piper is the must-hear
take away though. The Light was odd - good but unsure of itself or
something. On the whole, a highly enjoyable set and musically no slouch
either! It may not be one of the absolute best of the year, but it was
far, far, FAR from being poor in any way! GREAT SET!!!
No comments:
Post a Comment